Posts filed under ‘Wynton Marsalis’
Wynton Marsalis
Wynton Learson Marsalis (born October 18, 1961) is an American jazz and Western classical trumpeter and composer. He is Artistic Director of Jazz at Lincoln Center. He has promoted the appreciation of Classical and Jazz music, often focusing on young audiences.
As a Jazz performer and composer he has made display of his extensive knowledge about jazz and jazz history and for being a classical virtuoso. As of 2006, he has made sixteen classical and more than thirty jazz recordings, has been awarded nine Grammys in both genres, and was awarded the first Pulitzer Prize for Music for a jazz recording.
Life and career
Marsalis was born to Dolores (née Ferdinand) and Ellis Marsalis, Jr., a New Orleans-based music teacher and pianist. He is the second of six sons: Branford (1960), Wynton (1961), Ellis III (1964), Delfeayo (1965), Mboya Kinyatta (1971), and Jason (1977). Branford, Delfeayo, and Jason are also jazz musicians. Ellis is a poet, photographer and network engineer based in Baltimore. Mboya was born with autism.
Marsalis demonstrated an aptitude and interest for music as a youth. Al Hirt gave a six-year-old Marsalis his first trumpet. At age eight he performed traditional New Orleans music in the Fairview Baptist Church band led by banjoist, Danny Barker. At fourteen he was invited to perform with the New Orleans Philharmonic. During his high school years attending De La Salle High School, Marsalis was a member of the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, under the direction of Peter Dombourian, New Orleans Youth Orchestra, New Orleans Symphony and on weekends he performed in a jazz band as well as in the popular local funk band, the Creators.
Marsalis moved to New York City to attend the Juilliard School of Music in 1978. Two years later in 1980, he joined the Jazz Messengers to study under drummer and bandleader, Art Blakey, during which time Marsalis gleaned from Blakey how to lead a band and how to perform with intensity and consistency. In 1981, Marsalis toured with the Herbie Hancock quartet throughout the USA and Japan, as well as performing at the Newport Jazz Festival with Herbie. During his career Marsalis has played with Jazz artists including, Sarah Vaughan, Dizzy Gillespie, Harry Edison, Clark Terry, and Sonny Rollins.
Marsalis assembled bands and performed over 120 concerts for ten consecutive years. But as audiences for Jazz concerts aged and shrank, Marsalis has given lectures and music workshops. Collaborators and students at Marsalis’s workshops include James Carter, Christian McBride, Roy Hargrove, Harry Connick, Jr. (Marsalis plays on Connick’s album 30, and Your Songs), Nicholas Payton, Eric Reed and Eric Lewis. Marsalis has been commissioned to compose for dance companies including Garth Fagan Dance, Peter Martins at the New York City Ballet, Twyla Tharp for the American Ballet Theatre, and also for the Alvin Ailey American Dance Theatre.
Marsalis collaborated with The Chamber Music Society of Lincoln Center in 1995 to compose the string quartet, At The Octoroon Balls, and again in 1998 to create a response to the Stravinsky: A Soldier’s Tale with his composition, A Fiddler’s Tale.
In 1997 his epic oratorio on slavery, Blood on the Fields, became the first jazz composition to win the Pulitzer Prize in music.
In 2006, Marsalis’s US$833,686 annual salary as Artistic Director of Jazz at Lincoln Center drew negative attention in an article published by Reader’s Digest magazine regarding overspending by non-profit organizations. Marsalis is a bachelor with sons by Candace Stanley and another son with actress Victoria Rowell.
Musical accomplishments
Marsalis compositions and playing is represented on a quartet of Sony Classical releases, At the Octoroon Balls: String Quartet No. 1, A Fiddler’s Tale, Reel Time and Sweet Release and Ghost Story: Two More Ballets by Wynton Marsalis. All are volumes of an eight-CD series, titled Swinging Into The 21st, a set of albums released in 1999-2000 featuring original compositions and standards, from jazz to classical to ballet, including Jelly Roll Morton, Igor Stravinsky and Thelonious Monk along with Marsalis.
At the Octoroon Balls contains Marsalis’s first string quartet, performed by the Orion Quartet, a work commissioned by the Lincoln Center, and premiered in 1995 in conjunction with the Chamber Music Society of Lincoln Center. The composition has been recorded by the Harlem Quartet. A Fiddler’s Tale, also commissioned by the Chamber Music Society of Lincoln Center for Marsalis/Stravinsky, a joint project of the Chamber Music Society of Lincoln Center and Jazz At Lincoln Center, a narrated work about a musician who sells her soul to a record producer. It premiered on April 23, 1998, at Hill Auditorium in Ann Arbor, Michigan. A version without narration was appeared on the album At the Octoroon Balls: String Quartet No. 1. Reeltime is Marsalis’s score for John Singleton’s film Rosewood. This original music, featuring vocals by Cassandra Wilson and Shirley Caesar, was never used in the film. Marsalis also provided the score for the 1990 film Tune in Tomorrow, in which he also makes a cameo appearance as a New Orleans trumpeter with his band. Sweet Release and Ghost Story was premiered in New York city by the Alvin Ailey American Dance Theater and the Zhong Mei Dance Company.
On Sony Classical, Marsalis has won critical acclaim for the recording In Gabriel’s Garden (SK/ST 66244), featuring Baroque music for trumpet and orchestra. It includes performances of the Bach: Brandenburg Concerto no. 2 and Mouret: Rondeau, a video of which has been adopted as the new theme for PBS Masterpiece Theatre. The San Francisco Examiner wrote, “Marsalis continues to define great music making…[the pieces] are all articulated with dazzling clarity and enthusiasm.” The album features the English Chamber Orchestra, conducted by Anthony Newman, and was produced by Steven Epstein.
Awards and recognition
Statue dedicated to W. Marsalis in Vitoria-Gasteiz, Spain
Marsalis has been awarded the 2005 National Medal of Arts of the United States, the Grand Prix du Disque of the Charles Cros Academy and the Edison Award of the Netherlands, and was elected an honorary member of the Royal Academy of Music in Britain. He has received several honorary doctoral degrees, and a variety of other recognitions from Brandeis University, Brown University, Columbia University, Denison University, Harvard University, Haverford College, Johns Hopkins University, the Manhattan School of Music, New York University, Northwestern University, Princeton University, the University of Miami, Southern Methodist University(SMU) and Yale University.
Marsalis has toured 30 countries on every continent except Antarctica, and nearly five million copies of his recordings have been sold worldwide.
Accolades
- Johns Hopkins University – George Peabody Medal
- Northwestern University – Honorary Doctor of Arts
- Royal Academy of Music – Honorary Member
- Harvard University – Doctor of Music
- Teachers College, Columbia University – Medal for Distinguished Service
- Southern Methodist University(SMU) – Algur H. Meadows Award For Excellence in the Arts
Music Awards
- 1997 Blood on the Fields, oratorio
Grammy Award for Best Jazz Instrumental Album, Individual or Group
Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra)
- 1983 Raymond Leppard (conductor), Wynton Marsalis & the National Philharmonic Orchestra for Haydn: Trumpet Concerto in E Flat/L. Mozart: Trumpet Concerto In D/Hummel: Trumpet Concerto in E Flat
- 1984 Raymond Leppard (conductor), Wynton Marsalis & the English Chamber Orchestra for Wynton Marsalis, Edita Gruberova: Handel, Purcell, Torelli, Fasch, Molter
Grammy Award for Best Jazz Instrumental Solo
- 1983 Think of One
- 1984 Hot House Flowers
- 1985 Black Codes From the Underground
Grammy Award for Best Spoken Word Album for Children
- 2000 Listen to the Storyteller
Discography
With Art Blakey:
With Chico Freeman:
With Herbie Hancock:
With Joe Henderson:
As Leader:
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The ARMAHN Group
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